Playbooks

One shoot, six places: repurposing without diluting

Shooting is the expensive part. Everything after it is editing, and editing is cheap. The stores that get the most out of video are not the ones shooting the most — they are the ones getting six uses out of each shoot.

Shoot with reuse in mind

Three habits at the shoot make everything downstream possible:

  • Shoot vertical. 9:16 crops to square and to horizontal acceptably. Horizontal footage cropped to vertical loses the sides, which is usually where the product is.
  • Leave headroom. Space at the top and bottom means captions and interface elements have somewhere to sit without covering the product.
  • Get more than you need. A few extra seconds at each end, a couple of angles, one clean pass with no talking. Storage is free; a reshoot is not.

Where one piece of footage goes

  1. Product page. The full cut, 15–30 seconds, tagged to the product and the variant shown.
  2. Collection carousel. A shorter cut, 6–10 seconds, opening on the product.
  3. Home page row. The same short cut, chosen for range rather than for depth.
  4. Full-screen player. The longest version, since the shopper chose to open it.
  5. Email. A still frame linking to the page — video in email is unreliable and a good still is not.
  6. Social. The version with the trend audio and the caption, which stays there.

What does not transfer

Trend audio. Plays muted on a store, dates badly, and raises a licensing question on a commercial page that it does not raise on a feed.

Platform furniture. Anything referencing the feed, the comments, or a platform’s interface makes no sense on a product page.

Time-bound captions. “48 hours only” burned into a frame makes the video unusable forever. Put the offer in the page copy, never in the footage.

The crop trap

Auto-cropping between aspect ratios reliably centres on the wrong thing. A vertical video cropped to square puts the product’s edge out of frame; a horizontal one cropped to vertical becomes a close-up of somebody’s torso.

Check every crop by eye. It takes seconds and it catches the one that would have gone out with the product missing.

Version control, lightly

A folder per shoot, a clear name per cut, the source kept. Six months later you will want the long version of something and the only copy you can find will be the six-second one with captions burned in.

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